![[PGAV] Photo Gallery asbl/vzw](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKuss5jqY6WK6QPuPrcc9aXTsai5Hyq3oftVbHcn7_Grv4db_p2kgYLGaqY6J1KkvOsehwA36YV1OSNF-e3Apb6XK1f8tCK7uPOKuPQvXPKC_aYE0G8HRf8dmhR8RdSc41Uwos9mZjocc/s1600-r/images_fond_web.jpg)
28.03.09 > 31.05.09 | Luxembourg
EN : ... about Africa, presented by two African photographers of the post-Apartheid generation and a Dutch-Canadian photographer, seeking to give visibility to the inhabitants and to the complexity and nuances of African culture; such is the topic of the present exhibition. These young authors do not wish to exercise judgement upon the situations unfolding before their camera lenses, but instead, by revealing marginal events, to convey a sense of the values, conditions, objects and incidents of everyday life, while keeping a political eye on the changing world around them. Wishing to keep their distance from traditional photojournalism, setting little store by the rules of the mass media and refusing to apply the clichés with which the image of Africa has been imbued since the colonial period and the era of Apartheid, they are inspired of the photographic approach of artists like David Goldblatt, Roger Ballen and Guy Tillim. Rather than scouring the continent camera in hand, seizing the moment, as it were, they forge personal relationships with their models, working over long periods of time, focusing on calm and "secondary" situations, switching between documentary and artistic photography while having recourse to portrait and a degree of mise en scène.
EN : ... about Africa, presented by two African photographers of the post-Apartheid generation and a Dutch-Canadian photographer, seeking to give visibility to the inhabitants and to the complexity and nuances of African culture; such is the topic of the present exhibition. These young authors do not wish to exercise judgement upon the situations unfolding before their camera lenses, but instead, by revealing marginal events, to convey a sense of the values, conditions, objects and incidents of everyday life, while keeping a political eye on the changing world around them. Wishing to keep their distance from traditional photojournalism, setting little store by the rules of the mass media and refusing to apply the clichés with which the image of Africa has been imbued since the colonial period and the era of Apartheid, they are inspired of the photographic approach of artists like David Goldblatt, Roger Ballen and Guy Tillim. Rather than scouring the continent camera in hand, seizing the moment, as it were, they forge personal relationships with their models, working over long periods of time, focusing on calm and "secondary" situations, switching between documentary and artistic photography while having recourse to portrait and a degree of mise en scène.
