Havana 2006

Charles Johnstone | 13.11.09 > 22.12.09
Kunsthandel Jorg Maab | Berlin

EN : Johnstone is a self-taught photographer. He has acknowledged a variety of influences such as Eugène Atget, Walker Evans, William Christenberry, Stephen Shore, Robert Adams, Luigi Ghirri and Ed Ruscha. Of special interest is the importance of Edward Hopper for Johnstone's work.: his sophisticated play of light, sense of alienation and loneliness. Johnstone's photographs from Havana are taken with a 6x6 cm camera and this square format has ultimately become his signature. Johnstone's work differentiates itself from the requisite Cuban motives: here there are no nostalgic, romanticized images of imposing, classic American cars and luminous facades of one-time magnificent Colonial-style buildings, on wich the plaster is now peeling. Particularly significant in Johnstone's work is the precisely calculated composition required by the format of the square, with an emphasis on the vertical and horizontal, intersecting lines, bordering fields of shadows and color contrasts. In this way Johnstone provokes a moment of inner calm. People, however, do not appear in his images. He is interested instead in gas stations, basketball courts, deserted cars and areas such as abandonned playgrounds or public swimming pools, which are normally full of life. It is here he records his extremely personal impression of Havana: a lonely, deserted city, whose cumulative decay slowly advances. Johnstone does not want to influence our view of Havana, rather his sober images, which are free from emotion, enable us to see and interpret the city through our own eyes.