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Filser & Gräf | Munich
EN : Kai-Uwe Schulte-Bunert works in extremely precise series that, beyond their peculiar aesthetics, have one thing in common: the memory of places. The impression that these series convey is a kind of abandonment, as if the objects, the houses and places, have forgotten the reasons for their existence. There are well-known, familiar things which we discover in these photographs. And nevertheless, although we've never, and at the same time always seen them, they operate/work in their static and function-free existence as alien, empty. In the continuous revelation of unsaid and unconsciousness lies the most intimate aspect of the work of the artist. This almost private cipher can be found in the works about apparently or actually abandoned places, which are always perceived in a moment of waiting. These places are part of his childhood, such as the villages of his Vaterland, or the building-sites of Passaggi, the border cities of 2_geteilte orte, Rimini or the landscapes of Fondo Vivo.
EN : Kai-Uwe Schulte-Bunert works in extremely precise series that, beyond their peculiar aesthetics, have one thing in common: the memory of places. The impression that these series convey is a kind of abandonment, as if the objects, the houses and places, have forgotten the reasons for their existence. There are well-known, familiar things which we discover in these photographs. And nevertheless, although we've never, and at the same time always seen them, they operate/work in their static and function-free existence as alien, empty. In the continuous revelation of unsaid and unconsciousness lies the most intimate aspect of the work of the artist. This almost private cipher can be found in the works about apparently or actually abandoned places, which are always perceived in a moment of waiting. These places are part of his childhood, such as the villages of his Vaterland, or the building-sites of Passaggi, the border cities of 2_geteilte orte, Rimini or the landscapes of Fondo Vivo.
